St Bride’s Church is actually located a few feet off Fleet Street in a quiet courtyard. Buildings hem it in on all sides, so it must be approached via alleys and tunnels. Excavations during the 1950s revealed that the site was used for Christian worship in Roman times even before a major church was built. The original church on this site was constructed in the 6th century on a foundation of Roman brick and dedicated to the Irish saint Bridget, or Bride, of Kildare. It has been re-built many times since; it is believed that the present church is the eighth on the site.
St Bride's has been closely associated with journalism since 1500, when Wynkyn de Worde, apprentice to William Caxton, England’s first printer, set up his printing press right next to the church. He chose this location because he knew that churchmen were leading users of printing services, and that several bishops resided in the immediate area. Other printers soon followed de Worde’s example and set up shop nearby. By the 17th century, Fleet Street had became the centre of London’s newspaper and publishing industry, and many well-known writers were parishioners, including John Dryden, John Milton, Izaak Walton, and Samuel Pepys.
In 1665, the Great Plague struck, killing over 2000 parishioners and, in the following year, the church itself was destroyed in the Great Fire. The present church was designed by Sir Christopher Wren and is said to be his most expensive.
The 234-foot steeple, Wren’s tallest, is the model for the traditional wedding cake, first made by a baker on Ludgate Hill, a few blocks east of the church. The famous spire with its five diminishing octagonal stages is made of Portland stone. Although the interior of the church was seriously damaged in World War II, the steeple fortunately survived.
(As always, click on photos for larger views.)
As a result of war damage, the interior was restored between 1957 and 1959 by Godfrey Allen.
The next photo shows the east end of the nave. The free-standing reredos with pairs of Corinthian columns supporting a pediment was designed by Godfrey Allen based on Wren’s design. The painting of the Crucifixion and the oval stained glass above depicting the risen Christ are both by Glyn Johns, who also did the remarkable trompe l’oeil painting behind the altar that gives the impression that the wall is curved.
To the left and right of the stained glass can be seen two figures on the wall behind the reredos. One must peer around behind to get a good look at them.
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That’s what I did to take these two photos. Facing the church’s east end, Aaron is on the left and Moses on the right.
The church’s official website has an excellent section on the history of St Bride’s, as well as a picturesque little map. Here’s a bigger map.
More photos and information can be found here and here.
Links to all my blog posts about British churches and Christian sites can be accessed through the box located at the top of the page.









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